Wednesday, June 8, 2016

We the Students (Research on the Sacrifice of Personal Liberties in the Name of National Security Revisited)




Less than two months after the catastrophic events of 9/11, the American government passed an antiterrorism act in the name of national security, granting powers to the NSA, U.S. Department of Justice, and other agencies to collect and save information on American citizens [1]. The Patriot Act, signed by President George W. Bush, allows the government to intercept online messages, tapping phone lines, collecting email addresses, and anything else “relevant to an ongoing criminal investigation [2].”  

In 2013, former NSA contractor Edward Snowden leaked secret NSA documents revealing that the agency was, in fact, collecting phone records from millions of American citizens and spying on international countries and foreign leaders [3]. Soon after, the whistleblower flew to Russia, where the country granted him a year of asylum.

And on December 2, 2015, fourteen people were killed by two shooters in San Bernardino, California. A few weeks following the shooting, the FBI demanded Apple create a new software to unlock an iPhone used in the San Bernardino shooting. Apple refused, stating that new software that they might create could potentially be used to unlock any iPhone [7]. Consequently, this case highlights the debate over which is more important: national security, or private liberties, and where to find balance between the two.

Interestingly enough, Edward Snowden commented on the FBI’s request, saying that FBI has other means to access the phone, and Apple’s acquiescent would merely be an easier way to unlock the phone.

Snowden was proved right in February, when the FBI declared that they no longer required Apple’s assistance in unlocking the phone [5].

But what are the implications of this action?

Since 2001, the NSA has been tracking data from its American citizens. But how difficult is it to intercept phone calls and how often does the NSA actually do it?

In an interview with VICE News, Snowden explains how, by identifying and tracking ISMIs of individuals – international mobile subscriber identities – people can receive information about the phone-user. Usually, phones transmit information to cellular networks and towers. However, by using something called an ISMI-catcher, people can intercept this mobile transmission – between the cell phone and the cellular network – and consequently track phone locations. These ISMI-catchers are not obscure; in fact, they’re readily available for purchase online and in many stores.

This data that the ISMI-catchers provide – metadata, as Snowden describes it – an overwhelming amount of wealth all from cell phones. This includes the location of phones, regardless of whether or not GPS tracking is on or off, the time that messages were sent, which websites that the phone accesses online and many other possibilities [10].

Additionally, VICE discovers that a hacked phone can reveal a plethora of information – when phone calls were made, who was called, etc. A hacked phone can be commandeered to enable cameras and microphones without the phone’s owner ever knowing.

“Perhaps the most terrifying thing is, if your phone has been hacked, you would never know,” Snowden comments, while showing a VICE journalist how to remove microphones from a smartphone, eliminating any possibility that someone could hack the phone’s microphone [8].

Modern surveillance technologies – like ISMI-catchers – are being used today by government organizations, in everywhere from California to New York, to Oslo and Bahrain. In the United States alone, there are thirteen federal agencies known to use these ISMI-catchers [9].

In the fourth amendment, which protects the privacy of persons and possessions, the right of the people to be “secure in their persons, houses, papers, effects, against unreasonable searches and seizures, shall not be violated… but upon probable cause.” Contrary to this, the Patriot Act allowed the government to record and monitor the phone calls, emails, and credit reports of innocent Americans. As Representative Jim Sensenbrenner of Wisconsin noted, the NSA has "scoop[ed] up the entire ocean to… catch a fish."

Although some may argue that this violation was necessary for maintaining the safety of Americans, the FBI has admitted that even under the Patriot Act, no major terrorist cases have been cracked.

Between 2003 and 2006, the FBI issued more than 190,000 NSLs – national security letters that are subpoenas allowing for the collection of personal information without a judge’s approval or citizen consent. Of that number, only a single letter led to a terror-related conviction [11].

Snowden, a former NSA contractor, recalls that on the morning of the Boston Marathon bombing, he sat with coworkers and they agreed that the NSA, in their databases, probably already knew of the bombers before they even arrived in Boston. Snowden concludes that “this is really the legacy of mass surveillance; it’s the fact that when you watch everyone, you have the information you need to stop, to prevent, even the worst atrocities. But the problem is when you cast the net too wide, when you catch everything, you understand nothing.”

Watch the interview here.



Sources:











11.   https://www.aclu.org/infographic/surveillance-under-patriot-act

Sunday, June 5, 2016

Joie de Vivre (Thoughts & Review of “The Tale of Princess Kaguya” and “The Stranger”)

The essence of The Tale of Princess Kaguya, an artistically drawn Studio Ghibli film, comes from a fairy-tale. The film follows the journey of said princess as she falls down from her idyllic life on the moon on to earth, where she falls in love with the animals and people she encounters. Through her life on Earth, the princess acquires the ability to feel, both sadness and happiness, completely. While life on Earth is imperfect – it is raw and visceral and very real – it has meaning. In comparison, while life on the moon is perfect, there is no emotion and no depth behind the utopia.

The film captures the essence of wabi-sabi, a Japanese aesthetic that focuses on beauty found in mundane or imperfect, everyday objects and occurrences. Although the beginning of the film has a fairy-tale tint, the depth of the story belies its simple animations and pastel colors.

Does beauty really lie in imperfection though? There are many instances where Studio Ghibli insists, yes, beauty resides within imperfection.

As Princess Kaguya adapts to royal life, dozens of suitors line up at her door, hoping to catch a glimpse of the beautiful princess. Her father, delighted by the prospects of having his daughter marrying into royal blood, allows the five finest suitors in all of Japan to come to the princess. When in front of her audience, the Princess asks each suitor to convey their thoughts. The suitors compare the Princess to fantastical, magical things – from the stone bowl belonging to Buddha to a scale from a dragon’s neck. The Princess asks her suitors to then bring her these magical items if they truly believe she is as beautiful as them. Not surprisingly, each suitor fails. Their failures establish the idea of not revering perfection.

The opposite can be seen in Albert Camus’ The Stranger, a novel dealing with existentialism and the general indifference of the world. The iconic opening line of The Stranger – “Maman died today. Or yesterday maybe, I don’t know” – reveals Meursault’s indifference from the very first line. Throughout the story, from his mother’s funeral to his anticlimactic engagement, Meursault treats his world the way it treats him – indifferently.

He emotionally detaches himself from life and in return, life does not weigh him down with emotional burden. He is not sad or anxious or angry, but nor is he happy. Meursault “los[es] the habit of analyzing [him]self” and his feelings. He says he “probably loved Maman but it didn’t mean anything,” so in turn, he is unaffected and indifference when Maman dies.

His emotional life is stagnant, a flat line, whereas Princess Kaguya’s emotions are mountains, their cliffs soaring above and plunging below indifference.

But is Meursault still living his life to the fullest? The answer is debatable. Meursault does not live a perfect life – far from it – but he accepts the happenings of the world with detachment. Camus concludes the novel with Meursault’s final realization – that both he and the world are indifferent, and that Meursault has found a companion in the universe. This conclusion leaves Meursault at peace. 

Each person has their answer (or perhaps, lack thereof) to what constitutes a meaningful existence. In the case of Princess Kaguya and Studio Ghibli, the answer would be imperfection. In The Tale of Princess Kaguya, life is depicted as startlingly vicious and visceral. And yet, there is beauty in the savageness, a certain degree of delicacy in the workings of the world.